Tracklist:
1. One And On
2. Merry Christmas Mr. Lawrence – FYI
3. Apple And Cinnamon
4. Taking My Money Back
5. This Is The One (Crying Like A Child)
6. Automatic Part II
7. Dirty Desire
8. Poppin’
9. Come Back To Me
10. Me Muero
Release date: 14th March, 2009
Number of albums to date: 2nd English album
Style: Pop, R&B
Langauge: English
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Five years and three albums later Utada Hikaru releases her second English album under the family name of Utada. The half decent opening of On And On gives us a taste of the Americanised lyrics splattered throughout the album. Arrangements throughout are relatively straight-forward especially for Utada, whose previous English album Exodus is known for its experimental edge. Interesting arrangements can be seen in Merry Christmas Mr Lawrence – FYI, which is a remake of the Ryuichi Sakamoto’s instrumental song Merry Christmas Mr Lawrence, Taking My Money Back, Dirty Desire, Poppin’ and Me Meuro which when translated into Spanish means “I’m dying”. Although being Utada’s least experimental album we do see a new, previously unseen side of Hikki. Dirty Desire shows a sexy side which is rarely seen with many Japanese artists. Suggestive lines can be heard throughout the song such as “When I’m alone at night, I sit and fantasise” and “I’ve gotta make you mine, can you feel my dirty desire, dirty desire…?” Poppin’ shows a partying and clubbing side of Hikki with the lines “I wanna see the bottles poppin’” and the hilarious line “oops, did I turn you on?” Me Meuro depitcs a blunt lyrics, with the lines “now and then I’m suicidal” and other death related lyrics.
This Is The One also shows a more sensual side of Utada with the beautiful R&B ballads; Apple And Cinnamon, This Is The One (Crying Like A Child) and the lead single Come Back To Me. All these ballads showcase a different and deeper side of Utada, which is seen in earlier albums, however never in previous English albums. Apple And Cinnemon is a song about what could have been, if Utada and her ex were still together. This Is The One (Crying Like A Child), which is easily the best song on the album, is a heart breaking ballad, with simple acoustic and R&B elements. With sentimental lines such as “How could I ever love another? How could you say you don’t remember? God knows I’d give anything for just one more night together. Today I miss you more than ever. How could you say you don’t remember, this one’s for the happy days, I’ll be wishing you forever.” It’s pretty hard not to like this song. However the mood is quickly killed by the following song Automatic Part II which had fans wrongfully excited. When it comes to music Utada releases songs that sound fresh and loveable, however Automatic Part II rebels this trend, being one of Hikki’s most annoying and unlikable songs. With recycled pop beats and robotic like vocals, it’s an automatic reaction to instantly dislike this song. However it does have on catchy line: “Hello my name is Utada like dadadada”. I’ll give it to her that the song really is quite hilarious, although its severely lacking quality overshadows this. In Taking My Money Back Utada stands up for herself and is strong; “Now I finally see, that you were using me and I’m taking my money, my money, my money back.”
Tracks are thoughtfully placed, however without an interlude, there is a big jump in atmosphere, especially between This Is The One (Crying Like A Child) and Automatic Part II. The majority of the album sounds fresh and is likable and in my honest opinion is a lot better quality than a lot of the other leading American R&B artists.
So the big question. Is this really the one? Well yes and no. This album is not the one if you are looking for Hikki’s experimental style found in previous albums. However it is the one if you are looking for a feel good American pop record, with quite good, yet at times strange lyrics. After all Utada stated in an interview that all she wanted to do is create a good American style pop record and I respect her for that.
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Sounds…
as though Utada has drowned herself in everything American.
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Overall Rating
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Four stars
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August 25, 2010 at 00:06
I agree. The album is very experimental and she does need some lyrics writing classes. Sometimes they get just too eccentric.